ወ/ሮ አሸነፈች አበበ የኢሰመኮ ኮሚሽነር ሆነው ተሾሙ

​በፍትህ ስርዓቱ ውስጥ በታማኝነትና በብቃት የሚታወቁት ክብርት ወ/ሮ አሸነፈች አበበ፣ በኢፌዲሪ የህዝብ ተወካዮች ምክር ቤት የኢትዮጵያ ሰብዓዊ መብቶች ኮሚሽን (ኢሰመኮ) የሴቶችና ህፃናት ጉዳዮች ዘርፍ ኮሚሽነር ሆነው ተሹመዋል።

ላለፉት 6 ዓመታት በላይ በፌደራል የመጀመሪያ ደረጃ ፍርድ ቤት ምክትል ፕሬዚዳንት በመሆን በከፍተኛ ኃላፊነት አገልግለዋል።

​በኢሰመኮ የሴቶችና ህፃናት መብት ጥበቃ ዘርፍን በኮሚሽነርነት ይመራሉ ተብሎ ይጠበቃል።

የፌደራል የመጀመሪያ ደረጃ ፍርድ ቤት ለቀድሞ ምክትል ፕሬዚዳንቱ የተሰማውን ደስታ እየገለጸ፣ የተሳካ የሥራ ዘመን እንዲሆንላቸው መልካም ምኞቱን አስተላልፏል።

ወ/ሮ አሸነፈች ያላቸው የዳኝነትና የአመራር ልምድ፣ በሀገራችን የሴቶችና የህፃናት መብት ይበልጥ እንዲከበርና የፍትህ ተደራሽነት እንዲሰፋ ለማድረግ ትልቅ ሚና ይኖረዋል። እንዲህ ያሉ ብቁ ሴት አመራሮች ወደ ቁልፍ የሰብዓዊ መብት ተሟጋች ተቋማት መምጣታቸው ለሀገራችን የዲሞክራሲ ስርዓት ግንባታ ትልቅ ፋይዳ አለው።

​ለክብርት ወ/ሮ አሸነፈች አበበ እንኳን ደስ አለዎት!

​#getu #breakingnews #appointment #ehrc #ethiopia #humanrights #womenandchildren #justicesystem #ኢሰመኮ #ሹመት #ሰብዓዊመብት #ፍትህ #ጌጡተመስገን #getutemesgen

ሙዓዘ ጥበባት ዲያቆን ዳንኤል ክብረት የኢቢሲ ቦርድ ሰብሳቢ ሆነው ተሾሙ

​#ethiopia | ምክር ቤቱ የ9 የቦርድ አባላትን እና የ2 የፌዴራል ከፍተኛ ፍርድ ቤት ምክትል ፕሬዚዳንቶችን ሹመት አፅድቋል

​የሕዝብ ተወካዮች ምክር ቤት ዛሬ ባካሄደው መደበኛ ስብሰባ፤ የኢትዮጵያ ብሮድካስቲንግ ኮርፖሬሽን (ኢቢሲ) የሥራ አመራር ቦርድ አባላት ሹመትን አፅድቋል።

​በዚህም መሰረት የጠቅላይ ሚኒስትሩ የማኅበራዊ ጉዳዮች አማካሪ ሚኒስትር ሙዓዘ ጥበባት ዲያቆን ዳንኤል ክብረት የቦርዱ ሰብሳቢ ሆነው ተሾመዋል።

​የተሾሙት የቦርድ አባላት ዝርዝር:
1️⃣ ዲያቆን ዳንኤል ክብረት - ቦርድ ሰብሳቢ
2️⃣ ዶ/ር ወርቁ ጋቸና (የአርቴፊሻል ኢንተለጀንስ ኢንስቲትዩት ዋና ዳይሬክተር) - አባል
3️⃣ ዶ/ር መቅደስ ዳባ (የጤና ሚኒስትር) - አባል
4️⃣ ዶ/ር እንደገና አበበ (የቱሪዝም ሚኒስትር ዴኤታ) - አባል
5️⃣ አቶ ቸሩጌታ ገነነ (የሰላም ሚኒስትር ዴኤታ) - አባል
6️⃣ ዶ/ር ጌታቸው ድንቁ (የቀድሞ የብሮድካስት ባለስልጣን ዋና ዳይሬክተር) - አባል

​ከዚህ ቀደም የነበሩ እና አባልነታቸው እንዲቀጥል የተደረጉ:
​አቶ ጃፋር በድሩ
​አቶ የሱፍ ኢብራሂም
​ዶ/ር አብዱልዋሳ አብዱላሂ

​የፍርድ ቤት ሹመት:
በተጨማሪም ምክር ቤቱ አቶ ልዑል ካሳዬ ወልዱን እና አቶ ምትኩ ማዳ ድልነሳውን የፌዴራል ከፍተኛ ፍርድ ቤት ምክትል ፕሬዚዳንት አድርጎ ሾሟል።

​
​#ebc #appointment #danielkibret #parliament #ethiopia #media #board #highcourt #getutemesgen #getu #ጌጡ #ጌጡተመስገን

የታዝማ የልብ ህክምና ቡድን ለአምስት አመት ታዳጊ የተወሳሰበ የልብ ቀዶ ህክምና በተሳካ ሁኔታ አከናወነ!

በተደጋጋሚ ስኬታማ እና ውስብስብ ቀዶ ህክምናዎችን በማድረግ የሚታወቀው ታዝማ የውስጥ ደዌ እና የቀዶ ህክምና ልዩ ማዕከል፣ አሁንም በድጋሚ ለአምስት ዓመቱ ታዳጊ እጅግ ከባድ እና ህይወት አድን የሆነ የልብ ቀዶ ህክምና በተሳካ ሁኔታ ማከናወኑን ስናበስር በታላቅ ደስታ ነው።

ይህ ታዳጊ ከተወለደ ጀምሮ Type IV Truncus Arteriosus በተባለ ከባድ የልብ ህመም ሲሰቃይ ቆይቷል። ይህም ከተወለደ ጀምሮ የተከሰት ውስብስብ የልብ ችግር ሲሆን፣ የታችኛው የቀኝ እና የግራ የልብ ክፍል የሚለየው የልብ ግድግዳ ላይ ክፍተት (ventricular septal defect)፣ ወደ ሳንባ የሚሄዱት የልብ ቧንቧዎች የሚነሱበት ቦታ የተዛባ መሆን፣ እና ከቀኝ የልብ ክፍል ወደ ሳንባ ደም የሚወስደው ትልቁ የደም ቧንቧ (pulmonary artery) አለመፈጠር (pulmonary atresia) ናቸው።

ታዳጊው ባለፉት ዓመታት በሳንባ ምች ምክንያት በተደጋጋሚ ሆስፒታል ገብቶ የነበረ ሲሆን፣ ከዚህም በተጨማሪ በጥቁር አንበሳ ሆስፒታል የከንፈር መሰንጠቅ (cleft lip) ለተባለ የተፈጥሮ ችግር ህክምናውን ሲከታተል ቆይቷል።

ሆኖም ግን በጊዜው በማዕከላችን የተገኘው በኢንፌክሽን ምክንያት ቢሆንም ከኢንፌክሽኑ ህክምና በኋላ ቀዶ ህክምና ማከናወን ግድ ስለነበር፣ እጅግ ልምድ ባላቸው የአዋቂና የህፃናት የልብ ቀዶ ህክምና ሰብ ስፔሻሊስት ሐኪም ዶ/ር ሲሳይ በቀለ የተመራው የማዕከላችን የልብ ህክምና ቡድን በልጁ ልብ ውስጥ የነበሩትን የአፈጣጠር ችግሮችን ለማስተካከል እጅግ በጣም የተወሳሰበ የሆነውን Truncus repair with RV-PA conduit + confluence plasty የተባለ ቀዶ ህክምና በተሳካ ሁኔታ አከናውኗል።

ቀዶ ህክምናውም በታችኛው የልብ ግድግዳ መካከል ያለውን ትልቅ ክፍተት መዝጋት፣ የሳንባ ደም ስሮች የተዛመዱበትን ስፍራ ማስተካከል፣ እና ደም ከቀኝ የልብ ክፍል ወደ ሳንባ በትክክል እንዲፈስ በእጅ የተሰራ ቧንቧ (RV-PA conduit) በመጠቀም አዲስ መንገድ መፍጠርን ያካትታል።

እንደተለመደው፣ ይህ የቀዶ ህክምና በተቀላጠፈ እና በተሳካ ሁኔታ እንዲከናወን ላደረጉ የታዝማ የልብ ቀዶ ህክምና ቡድን ምስጋናችንን እያቀረብን፣ ቀዶ ህክምናው የተደረገለት ታካሚያችን በአሁኑ ሰዓት በጥሩ ሁኔታ ላይ ሆኖ ወደ ቤቱ መመለሱን ስናበስር በታላቅ ደስታ ነው።

ታዝማ የጤናማ ልብ አርማ!

ታዝማ የውስጥ ደዌ እና የቀዶ ህክምና ልዩ ማዕከል

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11 of the best films to watch this April

The Shrouds
David Cronenberg's latest sci-fi-tinged drama stars Vincent Cassel as Karsh, an inventor who looks a lot like Cronenberg himself. Grief-stricken by the death of his wife (Diane Kruger), Karsh develops camera systems that can be buried with corpses, so that their relatives can watch them on monitors as they decompose. The invention catches on, but one night some graves containing these high-tech "shrouds" are desecrated, so Karsh and his brother-in-law (Guy Pearce) have to work out who was responsible. This may sound like the kind of scenario that the director of Scanners and The Fly might use to justify lots of gory body horror, but The Shrouds is a "restrained, even elegant" film inspired by Cronenberg's own bereavement, says Steve Pond at The Wrap. "It's a deeply personal look at loss that finds plenty of time to get creepy but never loses sight of the fact that it's a movie about grief… Its focus, which never wavers, is always on the feeling of loss, not the sight of gore."
Released on 18 April in the US

On Swift Horses
Three of Hollywood's brightest young stars get together in On Swift Horses, a handsome period romance directed by Daniel Minhan and adapted from Shannon Pufahl's novel. Daisy Edgar-Jones plays Muriel, the fiancée of an upstanding Korean War veteran, Lee (Will Poulter). He is looking forward to a traditional family life in California in the go-getting 1950s, but when his younger brother Julius (Jacob Elordi) comes to stay, Julius's gay relationships and gambling sprees help Muriel to understand why she is attracted to women and drawn to betting on horse races. Graham Guttman at Screen Rant calls the film a "quietly devastating [story of] great pain and even greater love, all of which is portrayed beautifully by the film's all-star cast", adding: "On Swift Horses, with its sweeping romance and epic nature, feels outside of time, transcending any issues to become something deeply affecting." On the other hand, the BBC's Caryn James considers it "a disappointment [that] works much better as an idea than as a film".
Released on 25 April in the US and Canada, and on 30 April in France

The Legend of Ochi
On a remote island in Eastern Europe, fanged and furry monsters called Ochi lurk in the forests. A farmer (Willem Dafoe) is obsessed by hunting them, but when his shy teenage daughter (Helena Zengel) finds an injured baby Ochi, it turns out to be a big-eyed, pointy-eared beastie that bears a striking resemblance to Gizmo from Gremlins and Grogu from The Mandalorian. The girl then defies her father and takes the creature back to its family – a journey that is visualised using practical rather than digital effects. "The Legend of Ochi, the rare A24 family film, is a charming throwback to adventure movies of the 80s like The Neverending Story and The Dark Crystal," says Brian Tallerico at RogerEbert.com, "complete with original puppetry that reportedly contains not an ounce of CGI manipulation. It feels like a family film made by flesh-and-blood people in an era when computers are doing so much of the work."
Released on 25 April in the US, the UK, Canada and Ireland

The Shrouds
David Cronenberg's latest sci-fi-tinged drama stars Vincent Cassel as Karsh, an inventor who looks a lot like Cronenberg himself. Grief-stricken by the death of his wife (Diane Kruger), Karsh develops camera systems that can be buried with corpses, so that their relatives can watch them on monitors as they decompose. The invention catches on, but one night some graves containing these high-tech "shrouds" are desecrated, so Karsh and his brother-in-law (Guy Pearce) have to work out who was responsible. This may sound like the kind of scenario that the director of Scanners and The Fly might use to justify lots of gory body horror, but The Shrouds is a "restrained, even elegant" film inspired by Cronenberg's own bereavement, says Steve Pond at The Wrap. "It's a deeply personal look at loss that finds plenty of time to get creepy but never loses sight of the fact that it's a movie about grief… Its focus, which never wavers, is always on the feeling of loss, not the sight of gore."
Released on 18 April in the US

On Swift Horses
Three of Hollywood's brightest young stars get together in On Swift Horses, a handsome period romance directed by Daniel Minhan and adapted from Shannon Pufahl's novel. Daisy Edgar-Jones plays Muriel, the fiancée of an upstanding Korean War veteran, Lee (Will Poulter). He is looking forward to a traditional family life in California in the go-getting 1950s, but when his younger brother Julius (Jacob Elordi) comes to stay, Julius's gay relationships and gambling sprees help Muriel to understand why she is attracted to women and drawn to betting on horse races. Graham Guttman at Screen Rant calls the film a "quietly devastating [story of] great pain and even greater love, all of which is portrayed beautifully by the film's all-star cast", adding: "On Swift Horses, with its sweeping romance and epic nature, feels outside of time, transcending any issues to become something deeply affecting." On the other hand, the BBC's Caryn James considers it "a disappointment [that] works much better as an idea than as a film".
Released on 25 April in the US and Canada, and on 30 April in France

The Legend of Ochi
On a remote island in Eastern Europe, fanged and furry monsters called Ochi lurk in the forests. A farmer (Willem Dafoe) is obsessed by hunting them, but when his shy teenage daughter (Helena Zengel) finds an injured baby Ochi, it turns out to be a big-eyed, pointy-eared beastie that bears a striking resemblance to Gizmo from Gremlins and Grogu from The Mandalorian. The girl then defies her father and takes the creature back to its family – a journey that is visualised using practical rather than digital effects. "The Legend of Ochi, the rare A24 family film, is a charming throwback to adventure movies of the 80s like The Neverending Story and The Dark Crystal," says Brian Tallerico at RogerEbert.com, "complete with original puppetry that reportedly contains not an ounce of CGI manipulation. It feels like a family film made by flesh-and-blood people in an era when computers are doing so much of the work."
Released on 25 April in the US, the UK, Canada and Ireland

The Shrouds
David Cronenberg's latest sci-fi-tinged drama stars Vincent Cassel as Karsh, an inventor who looks a lot like Cronenberg himself. Grief-stricken by the death of his wife (Diane Kruger), Karsh develops camera systems that can be buried with corpses, so that their relatives can watch them on monitors as they decompose. The invention catches on, but one night some graves containing these high-tech "shrouds" are desecrated, so Karsh and his brother-in-law (Guy Pearce) have to work out who was responsible. This may sound like the kind of scenario that the director of Scanners and The Fly might use to justify lots of gory body horror, but The Shrouds is a "restrained, even elegant" film inspired by Cronenberg's own bereavement, says Steve Pond at The Wrap. "It's a deeply personal look at loss that finds plenty of time to get creepy but never loses sight of the fact that it's a movie about grief… Its focus, which never wavers, is always on the feeling of loss, not the sight of gore."
Released on 18 April in the US

On Swift Horses
Three of Hollywood's brightest young stars get together in On Swift Horses, a handsome period romance directed by Daniel Minhan and adapted from Shannon Pufahl's novel. Daisy Edgar-Jones plays Muriel, the fiancée of an upstanding Korean War veteran, Lee (Will Poulter). He is looking forward to a traditional family life in California in the go-getting 1950s, but when his younger brother Julius (Jacob Elordi) comes to stay, Julius's gay relationships and gambling sprees help Muriel to understand why she is attracted to women and drawn to betting on horse races. Graham Guttman at Screen Rant calls the film a "quietly devastating [story of] great pain and even greater love, all of which is portrayed beautifully by the film's all-star cast", adding: "On Swift Horses, with its sweeping romance and epic nature, feels outside of time, transcending any issues to become something deeply affecting." On the other hand, the BBC's Caryn James considers it "a disappointment [that] works much better as an idea than as a film".
Released on 25 April in the US and Canada, and on 30 April in France

The Legend of Ochi
On a remote island in Eastern Europe, fanged and furry monsters called Ochi lurk in the forests. A farmer (Willem Dafoe) is obsessed by hunting them, but when his shy teenage daughter (Helena Zengel) finds an injured baby Ochi, it turns out to be a big-eyed, pointy-eared beastie that bears a striking resemblance to Gizmo from Gremlins and Grogu from The Mandalorian. The girl then defies her father and takes the creature back to its family – a journey that is visualised using practical rather than digital effects. "The Legend of Ochi, the rare A24 family film, is a charming throwback to adventure movies of the 80s like The Neverending Story and The Dark Crystal," says Brian Tallerico at RogerEbert.com, "complete with original puppetry that reportedly contains not an ounce of CGI manipulation. It feels like a family film made by flesh-and-blood people in an era when computers are doing so much of the work."
Released on 25 April in the US, the UK, Canada and Ireland